Box 6
Contains 28 Results:
Articles: Billy Barton, Undated
Contains Nancy Barton’s watercolor paintings with poetry. Artwork mentioned or depicted includes The Rancho–Tenant farmer home, The Hornero–Ovenbird of the Pampas, Boleadoras, Estrio–Stirrup, The Gaucho, El Pericón, Carreta de Gaucho, and Avestruz or Nandú–Ostrich. Nancy Barton’s Christmas tree paper decorations and instructions, including baking & cooking instructions. Listed materials are undated.
Bonwit Teller , 1973-1974, undated
Contains correspondence concerning samples of yarn and wool. Financial documents are also included.
Book, 1982-1986, undated
Contains information and correspondence about Nancy Barton’s book. The title of the mentioned and depicted book is Remembrance And Song: Waiting My Turn.
Bermuda, 1981, undated
Contains correspondence, document, and one color photograph from Nancy Barton’s trip to Bermuda.
Boats, 1971-1977, undated
Contains information about the Barton’s purchase of a boat, including financial documents.
Bolivia, 1972-1989, undated
Contains the receipts and shipping information from Nancy Barton’s orders of fabric from Bolivia.
Baltimore Museum of Art, 1990, undated
Contains correspondence and documents pertaining to Nancy Barton’s exhibit at The Baltimore Museum of Art.
Awerieau Textile History Museum, 1991-1992, undated
Contains correspondence and financial documents about the aftermath of the destruction of Nancy Barton's artwork Tipi Waterfall.
Bates 6/7-8/16 1996 , 1996-1997, undated
Contains Nancy Barton’s correspondence with Bowdoin and Bates College about her exhibit. A collection of Barton’s poetry, writings, and exhibit cards with Barton’s art are included. Financial documents are included.
Art Student League, 1991-1992, undated
Contains correspondence between Nancy Barton and The Art Student League of New York president about concerns of gender bias in the admittance to the league.
Arthritis- D.C. IRS , 1991-1992, undated
Contains Nancy Barton’s correspondence with Marylouise about the Thomas MCP. Brown Arthritis Institute.
Artists in Residence, 1983, undated
Contains Nancy Barton’s correspondence about her application to Yaddo and portfolio is included.
Atwell- Center for Teaching & Learning, 1994, undated
Contains Nancy Barton’s correspondence with the Center For Teaching And Learning, specifically concerning donations raised. Barton gifted Soft Fall to The Center For Teaching And Learning.
Australia, 1974-1979, undated
Contains correspondence and documents pertaining to Nancy Barton’s trip to Australia.
Appleton, 1984-1993, undated
Contains documents and correspondence with Appleton Bros., Ltd. about the purchase of more yarn.
Maria Luisa Aratuo , 1975-1989, undated
Contains correspondence and documents pertaining to Nancy’s trip to Italy and conceptual art for her work Gello.
Art Consultants, 1988, undated
Contain correspondence with various galleries in Los Angeles about collaborating on an exhibit. Galleries listed are Asher-Faure Gallery and The Allrich Gallery.
Art in Embassies , 1989-1991, undated
Contains correspondence between Nancy Barton and Maureen Murphy about missing photographs.
Arena Football-Brad, 1983-1986, undated
Contains documents and correspondence about Nancy Barton’s purchase of a football arena and future exhibits.
Akron Art Institute, 1976, undated
Contains correspondence and an occupational biographical list.
American Crafts & Council Museum, 1978-1979, undated
Contains documents discussing Nancy Barton’s portfolio submission to the American Crafts Council.
American Tel & Tez- Natalie Jones , 1991, undated
Contains Nancy Barton’s correspondence with Natalie Jones, and art holding checklist, and a guide for Basking Ridge pamphlet.
Atwell, Nancie (1 of 2), 1984, undated
Contains various magazine pages.
Barn Gallery- Ogunquit (1 of 2), 1992, undated
Contains correspondence with the Barn Gallery about the assembly of one of Nancy Barton’s art exhibits.
Barn Gallery–Ogunquit (2 of 2), 1985, undated
Contains correspondence and documents concerning Nancy Barton’s exhibit at the Barn Gallery and the financial agreements she made with the gallery.